Liveness: Performance in a Mediatized Culture Second Edition by Phili Auslander

Liveness: Performance in a Mediatized Culture Second Edition Phili Auslander ebook
Page: 208
Publisher:
Format: pdf
ISBN: 0415773520, 9780415773522

In Levitin's emphasis on emotion and his bias against automation, the discourse and ideology of Romanticism informs the premises and some of the specific arguments of this book. "Seeing is Believing," Liveness: Performance in a Mediatized Culture. Middletown, Wesleyan University Press. Liveness: Performance in a Mediatized Culture addresses what may be the single most important question facing all kinds of performance today. His most recent books are Performing Glam Rock: Gender and Theatricality in Popular Music (2006) and the second edition of Liveness: Performance in a Mediatized Culture (2008). More Brilliant Than the Sun: Adventures in Sonic Fiction. Liveness: Performance in a Mediatized Culture. Donald Crafton's interdisciplinary methods draw on film and theater studies, art history, aesthetics, cultural studies, and performance studies to outline a personal view of animated cinema that illuminates its systems of belief and world making. What is the status of live performance in a culture dominated by mass media? About a year ago I was planning my first doctoral seminar at Indiana and ended up assigning these books: Philip Auslander, Liveness: Performance in a Mediatized Culture. References: Auslander, P (1999). What is the A second edition of this book was published in 2008. Theodore Gracyk, Rhythm and Noise: An *And a performance of it is not a copy, exactly -- it's not like buying a Harry Potter book or something, where there are millions of identical copies in circulation, because each performance is unique and different. Liveness: performance in a mediatized culture. I have typed the following passage myself, so any misspellings should be solely indebted to my excited hands. His most recently published books are Performing Glam Rock: Gender and Theatricality in Popular Music (2006) and the second edition of Liveness: Performance in a Mediatized Culture (2008). A recurring claim in the book is the idea that music is primarily an emotional experience.